Adapting traditional symbols for surface textile design for cultural sustainability in Uganda: a case of Ankole bridal costume

Abstract

Although there are lots of Ugandan traditional symbols used in the Art industry across the country, there is however, still some major ones that are prominent and to which people readily relate. However, only little has been written (if any) about the use of Ankole traditional symbols, hence causing the diminishing usage of these traditional symbols in textile design. This study, therefore sought to adapt traditional symbols for surface textile design for cultural sustainability in Uganda, A case of Ankole Bridal Costume. It asserts that, since people easily and readily relate with what they are familiar with, the need for adapting the traditional symbols and their intrinsic values to the Ankole communities and Uganda at large cannot be over emphasized. Data was obtained through observation and interviews and the findings established that the Ankole long horned cow (EnteMaheembe), Calabash (Ekishaabo/Ekisisi,Ekirere,),Gourd (Enkyeka/Ekikoro),Ankole milk cup (Ekyanzi), Engyemeko, Entsimbo and Rukumyo were found to be the most important Ankole traditional symbols associated with, more so in the Ankole traditional marriage ceremony with the long horned cow, milk cup (ekyanzi), Rukomyo, Enkoro and calabash ranking as the most relevant ones. The study also showed that adapting Ankole traditional symbols, with which people can readily relate to their way of life, will help improve on sustainability of culture. The study analyzed five Ankole traditional symbols, from which motifs were developed and tested for appropriateness. Finally, five (5) pieces of fabric were printed and put on display for bridal costume designers